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As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
In later Anglo-Saxon England, there is visual evidence for a large poncho-like garment that may have been worn by noble or royal women. An interpretation of the Scandinavian Apron Dress from Stavanger, Norway. The most famous garment of early medieval Scandinavia is the so-called Apron Dress (also called a trägerrock, hängerock, or smokkr).
The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive, and both men and women were divided into social classes by regulating the colors and styles that various ranks were permitted to wear.
With England and France mired in the Hundred Years War and its aftermath and then the English Wars of the Roses through most of the 15th century, European fashion north of the Alps was dominated by the glittering court of the Duchy of Burgundy, especially under the fashion-conscious power-broker Philip the Good (ruled 1419–1469).
The tunic on the left is an early example of mi-parti or particolored clothing, made from two fabrics. Cantigas de Santa Maria, mid-13th century, Spain. Pan-pipe players wear tunics with hanging sleeves over long-sleeved undertunics. Both wear coifs. Cantigas de Santa Maria, mid-13th century, Spain.
[4] (from 1914 to the 1920s, an unofficial style had been used). It comprised black dress coat with silk facings (or revers ), white marcella (or the same material as coat) waistcoat, black cloth knee-breeches with three buttons and black strap fastening with black buckle, black silk stockings with plain black court shoes with bows, and white ...
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