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Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
Women with huadian painted on forehead, from the painting Admonitions Scroll, attributed to Gu Kaizhi. According to a legend, the huadian in floral design originated in the Southern dynasty period when a plum blossom was blown on the forehead of Princess Shouyang (a daughter of Song Wudi [4]) when she was taking a walk in the palace in early ...
Malvina Cheek, A.R.C.A., (8 July 1915 – 22 May 2016) was a British artist, best known for her work during World War II for the Recording Britain project. During the War she was commissioned for Recording Britain to make architectural records of old buildings in anticipation of their possible destruction.
Village girls wearing thanaka at Ava, Burma. Thanaka (Burmese: သနပ်ခါး; MLCTS: sa.nap hka:; pronounced [θənəkʰá]) is a paste made from ground bark.It is a distinctive feature of the culture of Myanmar, seen commonly applied to the face and sometimes the arms of women and girls, and is used to a lesser extent also by men and boys.
Abaja can be both a basic and also a complex style. In its basic form, it is either three or four horizontal stripes on the cheeks. The Abaja style also consists of twelve horizontal lines, six lines per cheek. It is often referred to as "Abaja Alaafin Mefa Mefa". This tribal mark is unique to the indigenes of Oyo, Nigeria. [15]
Moche ceramic vessel at the Larco Museum in Lima, depicting a man, possibly a warrior, with face painting A child wearing face paint Marcus Stewart with his face painted as he acts in Oresteia by Aeschylus, adapted by Ryan Castalia for Stairwell Theater, 2019. Face painting is the artistic application of nontoxic paint to a person's face.
Face painting in Chinese theatre probably began with masks, and actors painted their faces as early as 9th-century Tang dynasty (618–907). During the Yuan dynasty (1271–1368) red and white facial designs were used in opera to distinguish good characters from bad ones.
Kumadori (隈取) is the stage makeup worn by kabuki actors, mostly when performing kabuki plays in the aragoto style. [1] The term also applies to a painting method in which two brushes are used simultaneously, one for the color and the other used to create shading or other details.
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