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A love poem, "The Good-Morrow" is thematically centred on several concepts. The poem is primarily to do with evolving love; the movement from pure lust, in the first stanza, to a nascent and evolving spirituality which liberates the lovers because they no longer "watch each other out of fear" but can instead see clearly. [8]
In addition to the preparation poetry seen by Edward Taylor, the Puritan woman Anne Bradstreet wrote dense poetry of her own. She spoke in a deeply personal manner distant from the general understanding of the role of Puritan women. She used poetry as a mode of demonstrating her love for family, husband, and God.
John Milton (1608–1674), most famous for his epic poem "Paradise Lost" (1667), was an English poet with religious beliefs emphasizing central Puritanical views.While the work acted as an expression of his despair over the failure of the Puritan Revolution against the English Catholic Church, it also indicated his optimism in human potential.
In this particular sonnet, the couplet acts as a summary of the basic sentiment of silent and stifled desire that fill the lines of the poem. "So true a fool is love that in your will, though you do anything, he thinks no ill," not only reiterates the dark romanticism that characterizes the entire sonnet, but Shakespeare also subtly establishes ...
The same critic notes that "the poem upends our expectations of metaphor" and sees in this the central power of the poem. [30] The poem's historicism creates another complicating dynamic. Beginning in the present it shifts to the classical age of Greece, then (with its concerns for the sea of faith) it turns to Medieval Europe, before finally ...
A late Victorian English poem from the 1880s, "Chertsey Curfew" by Boyd Montgomerie Ranking, treats the same events. [8] In 1895, Stanley Hawley wrote music to accompany the poem's recitation (a performance tradition known as melodrama). This was published as sheet music by Robert Cooks and Co. [9] The poem was widely known in the English ...
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Broadly speaking, a conversion narrative is a narrative that relates the operation of conversion, usually religious. As a specific aspect of American literary and religious history, the conversion narrative was an important facet of Puritan sacred and secular society in New England during a period stretching roughly from 1630 to the end of the First Great Awakening.