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Euripides' play has been explored and interpreted by playwrights across the centuries and the world in a variety of ways, offering political, psychoanalytical, feminist, and many other original readings of Medea, Jason and the core themes of the play. [1] Medea, along with three other plays, [a] earned Euripides third prize in the City Dionysia.
Medea About to Murder Her Children by Eugène Ferdinand Victor Delacroix (1862) In Euripides's play Medea, she is a woman scorned, rejected by her husband Jason and revenge seeking. Deborah Boedeker writes about different images and symbolism Euripides used in his play to evoke responses from his original Athenian audience. [36]
Euripides has been hailed as a great lyric poet. [66] In Medea, for example, he composed for his city, Athens, "the noblest of her songs of praise". [67] His lyrical skills are not just confined to individual poems: "A play of Euripides is a musical whole...one song echoes motifs from the preceding song, while introducing new ones."
Medea is a 1969 Italian film written and directed by Pier Paolo Pasolini, based on the ancient myth of Medea.The film stars opera singer Maria Callas in her only film role and is largely a faithful portrayal of the myth of Jason and the Argonauts and the events of Euripides' play Medea.
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Pages in category "Plays based on Medea (Euripides play)" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes .
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While Euripides' Medea shares similarities with Seneca’s version, they are also different in significant ways. Seneca's Medea was written after Euripides', and arguably his heroine shows a dramatic awareness of having to grow into her (traditional) role. [7] Seneca opens his play with Medea herself expressing her hatred of Jason and Creon.