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Shamisen – a banjo-like lute with three strings; brought to Japan from China in the 16th century. Popular in Edo's pleasure districts, the shamisen is often used in kabuki theater. Made from red sandalwood and ranging from 1.1 to 1.4 metres (3 ft 7 in to 4 ft 7 in) long, the shamisen has ivory pegs, strings made from twisted silk, and a belly ...
The strings are stretched across the body, raised from it by means of a bridge, or koma (駒), which rests directly on the taut skin. The lowest string is purposefully laid lower at the nut of the instrument in order to create a buzz, a characteristic timbre known as sawari (somewhat reminiscent of the "buzzing" of a sitar, which is called Jivari).
This variety of instrument came in two basic forms, a zither that had bridges and a zither without bridges. An 1878 depiction by Settei Hasegawa of a woman playing the koto. When the koto was first imported to Japan, the native word koto was a generic term for any and all Japanese stringed instruments.
The sanshin (三線, lit., "three strings") is an Okinawan and Amami Islands musical instrument and precursor of the mainland Japanese shamisen . Often likened to a banjo , it consists of a snakeskin -covered body, neck and three strings.
The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794).
19th century yamato-goto (shown here without bridges); collection of the Tokyo National MuseumThe yamatogoto (大和琴 / やまとごと), also called wagon (和琴 / わごん) and azumagoto (東琴 / あずまごと), is a six- or seven-stringed plucked bridge zither which, unlike the koto and other stringed instruments, is believed to be truly native to Japan, and not imported from ...
The kokyū (胡弓) is a traditional Japanese string instrument, the only one played with a bow. A variant of the instrument also exists in Okinawa, called kūchō (胡弓) in Okinawan. The kokyū, like the shamisen, has its origins in Okinawa. Although it is similar to Chinese huqin, it actually came to Okinawa via the rebab from Indonesia and ...
Minegishi performs widely in North America, Europe, and Asia, and occasionally with Canadian multi-instrumentalist Randy Raine-Reusch, perhaps the only non-Japanese ichigenkin performer, who composes and records new works for the instrument. A two-string version called a yakumogoto (八雲琴, literally "eight cloud zither") was developed in ...
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