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Rigoletto is an opera in three acts [a] by Giuseppe Verdi.The Italian libretto was written by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo.Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.
"Bella figlia dell'amore" ("Beautiful daughter of love") is a vocal quartet from the last act of Giuseppe Verdi's 1851 opera Rigoletto.. It has been described as a "masterful quartet that is an intricate musical depiction of four personalities and their overlapping agendas", [1] and has been performed and recorded by many notable artists.
La donna è mobile" (pronounced [la ˈdɔnna ˌɛ mˈmɔːbile]; "Woman is fickle") is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at
"Caro nome che il mio cor" (Sweet name that made my heart), or "Caro nome" for short, is an aria for coloratura soprano from act 1 of Verdi's opera Rigoletto. It is part of the standard Italian soprano vocal repertoire, [ 1 ] featured in numerous anthologies for soprano singers and in albums of highlights from the opera.
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This is a list of recordings of Rigoletto, an 1851 opera by Giuseppe Verdi with an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on 11 March 1851.
Giuseppe Verdi's 1851 opera Rigoletto is based on Hugo's play, which the librettist Piave followed closely in his Italian translation. Censorship by the Austrian authorities in Venice led them to move the action from France to Mantua , the characters François 1er, Triboulet, Blanche, M de Saint Vallier, Saltabadil, Maguelonne becoming the Duke ...
Giuseppe Verdi. The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901).. The list includes original creations as well as reworkings of the operas (some of which are translations, for example into French or from French into Italian) or subsequent versions of completed operas.