Search results
Results from the WOW.Com Content Network
Sociomusicology (from Latin: socius, "companion"; from Old French musique; and the suffix -ology, "the study of", from Old Greek λόγος, lógos : "discourse"), also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music (often in combination with other arts), as well as a subfield of musicology that focuses on social ...
Printable version; In other projects ... Many musical genres are particular to some geographical region or to an ethnic, religious or ... additional terms may ...
The term has also been used to designate an approach to writing about music history, sometimes called the "Great Works" approach (in analogy to "Great Books") where the music history is conceived in terms of relationships between works of art, to the exclusion of considering cultural contexts.
Keywords: A Vocabulary of Culture and Society is a book by the Welsh Marxist academic Raymond Williams published in 1976 by Croom Helm.. Originally intended to be published along with the author's 1958 work Culture and Society, this work examines the history of more than a hundred words that are familiar and yet confusing: Art, Bureaucracy, Culture, Educated, Management, Masses, Nature ...
A person considered musical has the ability to perceive and reproduce differences in aspects of music including pitch, rhythm, and harmony (see: ear training). Two types of musicality may be differentiated: to be able to perceive music (musical receptivity) and to be able to reproduce music in addition to creating music (musical creativity). [1 ...
Williams argues that the notion of culture developed in response to the Industrial Revolution and the social and political changes it brought in its wake. [1] This is done through a series of studies of famous British writers and essayists, including Edmund Burke, William Cobbett, William Blake, William Wordsworth, F. R. Leavis, George Orwell, and Christopher Caudwell.
The term "historicism" has acquired various, sometimes confusing meanings over a wide range of disciplines. The British philosopher Karl Popper , who disliked modern music and strongly preferred the works of Bach, Mozart, and Schubert, spoke of "the failure of the historicist propaganda for the modern in music."
The original use of the term "parody" in music referred to re-use for wholly serious purposes of existing music. In popular music that sense of "parody" is still applicable to the use of folk music in the serious songs of such writers as Bob Dylan, but in general, "parody" in popular music refers to the humorous distortion of musical ideas or lyrics or general style of music.