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The Turkish music industry includes a number of fields, ranging from record companies to radio stations and community and state orchestras. Most of the major record companies are based in Istanbul's region of Unkapanı and they are represented by the Turkish Phonographic Industry Society (MÜ-YAP). [40]
Turkish folk music (Turkish: Türk Halk Müziği) is the traditional music of Turkish people living in Turkey influenced by the cultures of Anatolia and former territories in Europe and Asia. Its unique structure includes regional differences under one umbrella. It includes popular music from the Ottoman Empire era.
Music of Thrace; Radyo Türkü; Tsifteteli; Radiomonitor Türkiye; Turkish hikaye; Turkish makam; Turkish music (style) Turkish State Opera and Ballet; Turkish tango music; Turkvision Song Contest 2013; Turkvision Song Contest 2014; Turkvision Song Contest 2015; Turkvision Song Contest 2020
Turkish music, in the sense described here, is not the music of Turkey, but rather a musical style that was occasionally used by the European composers of the Classical music era. This music was modelled—though often only distantly—on the music of Turkish military bands, specifically the Janissary bands .
The Turkish makam (Turkish: makam pl. makamlar; from the Arabic word maqam مقام) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (cinsler meaning genera) and melodic development (seyir). [1]
This is a list of Turkish musicians, musicians born in Turkey or who have Turkish citizenship or residency. This is a dynamic list and may never be able to satisfy particular standards for completeness.
Arabesque (Turkish: Arabesk) is a style of Turkish music popular in Turkey, the Balkans, the Caucasus, the Middle East, and Eastern Europe. The genre was particularly popular in Turkey from the 1960s through the 2000s. Its aesthetics have evolved over the decades and into the 2010s. It often includes the bağlama and Middle Eastern music.
The reforms on Turkish music strengthened from 1926 onward, when tekkes (Sufi lodges) were closed down, as a response to the ostensibly anti-Western, and thereby counter-revolutionary aspects of Sufism. [3] [22] This meant, with the absence of state support, that neither secular nor religious Ottoman music would survive. Further action was also ...