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  2. Kempyang and ketuk - Wikipedia

    en.wikipedia.org/wiki/Kempyang_and_ketuk

    Not all structures use the kempyang, but the kempyang is never played without the ketuk. [1] They are shaped like bonang, but are generally placed in their own frame (rancak). The kempyang is pitched higher (about one octave, although it depends if they are in the pelog or slendro set. Both have a central boss like the bonang, but the kempyang ...

  3. Colotomy - Wikipedia

    en.wikipedia.org/wiki/Colotomy

    Ladrang form on the phrase making or colotomic instruments. p = kempyang, t = ketuk, ⋅ = pause, N = kenong, P = kempul, GONG = gong ageng. [1] Colotomy is an Indonesian description of the rhythmic and metric patterns of gamelan music. It refers to the use of specific instruments to mark off nested time intervals, or the process of dividing ...

  4. Minggah - Wikipedia

    en.wikipedia.org/wiki/Minggah

    It is distinguished from the previous section by the use of kempyang. In the minggah section, the kempyang and kethuk play in the same pattern as in the ketawang, but with no kempul, and the kenong only where the gong ageng goes in the ketawang. Like the merong, it has a diversity of forms which can be specified by naming the number of kethuk ...

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  6. Kethuk - Wikipedia

    en.wikipedia.org/?title=Kethuk&redirect=no

    This page was last edited on 30 March 2006, at 19:18 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may ...

  7. List of percussion instruments - Wikipedia

    en.wikipedia.org/wiki/List_of_percussion_instruments

    Kempyang and ketuk: Indonesia 111.241.1 Idiophone Kendang: Southeast Asia Unpitched 211.222.1 Membranophone Kenong: Indonesia Pitched 111.241.2 Idiophone Kepyak: Indonesia Unpitched 111 Idiophone Keyboard glockenspiel: Pitched 111.222 Idiophone A keyboard instrument, not normally part of a percussion section Khim: South Asia Pitched Chordophone

  8. Merong - Wikipedia

    en.wikipedia.org/wiki/Merong

    The merong does not use the kempyang or kempul. There are two patterns for the kethuk in the merong, arang ("infrequent, sparse") and kerep ("frequent"). Both have the kethuk play only at the end of a gatra , but in the kerep pattern, it is at the end of all odd-numbered gatras, whereas in the arang, it is at the end of the gatras of doubled ...

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