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  2. Duple and quadruple metre - Wikipedia

    en.wikipedia.org/wiki/Duple_and_quadruple_metre

    Quadruple metre (also quadruple time) is a musical metre characterized in modern practice by a primary division of 4 beats to the bar, [2] usually indicated by 4 in the upper figure of the time signature, with 4 4 (common time, also notated as ) being the most common example. Shown below are a simple and a compound quadruple drum pattern.

  3. Counting (music) - Wikipedia

    en.wikipedia.org/wiki/Counting_(music)

    Orff rhythm syllables don't have a specified system. Often, they'll encourage teachers to use whatever they prefer, and many choose to use the Kodaly syllable system. [10] Outside of this, Orff teachers will often use a language-based model in which the rhythms are replaced with a word which matches the number of sounds in the rhythm.

  4. Takadimi - Wikipedia

    en.wikipedia.org/wiki/Takadimi

    Takadimi is a system devised by Richard Hoffman, William Pelto, and John W. White in 1996 in order to teach rhythm skills. Takadimi, while utilizing rhythmic symbols borrowed from classical South Indian carnatic music, differentiates itself from this method by focusing the syllables on meter and western tonal rhythm.

  5. Time signature - Wikipedia

    en.wikipedia.org/wiki/Time_signature

    Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...

  6. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]

  7. Metre (music) - Wikipedia

    en.wikipedia.org/wiki/Metre_(music)

    Metrical rhythm, measured rhythm, and free rhythm are general classes of rhythm and may be distinguished in all aspects of temporality: [14] Metrical rhythm , by far the most common class in Western music, is where each time value is a multiple or fraction of a fixed unit (beat, see paragraph below), and normal accents reoccur regularly ...

  8. Numbered musical notation - Wikipedia

    en.wikipedia.org/wiki/Numbered_musical_notation

    The numbered musical notation (simplified Chinese: 简谱; traditional Chinese: 簡譜; pinyin: jiǎnpǔ; lit. 'simplified notation', not to be confused with the integer notation) is a cipher notation system used in mainland China, Taiwan, Hong Kong, and to some extent in Japan, Indonesia (in a slightly different format called "not angka"), Malaysia, Australia, Ireland, the United Kingdom ...

  9. Additive rhythm and divisive rhythm - Wikipedia

    en.wikipedia.org/wiki/Additive_rhythm_and...

    In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter: . A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.

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