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A 2011 exhibition of 15 gelatin silver prints from his Havana, Cuba series (2003-2006) in the J. Paul Getty Museum group show, A Revolutionary Project: Cuba from Walker Evans to Now, linked Titarenko's approach to street photography in contemporary Havana to that of Walker Evans in 1933, by the subjects he photographed and aspects of his printing.
During this same period, she often exhibited and corresponded under the name “Annie Brigman,” but in 1911, she dropped the “i” and was known from then on as “Anne.” In 1908 the Secession Club held a special exhibit for her photographs in New York. [13] Admiration of her talents quickly spread.
This is a list of photographs considered the most important in surveys where authoritative sources review the history of the medium not limited by time period, region, genre, topic, or other specific criteria. These images may be referred to as the most important, most iconic, or most influential—but they are all considered key images in the ...
In 2006, she released the book Now Again, which focused on Hardly More Than Ever and her most recent work at the time, Somewhere, Somewhere (2003–present). [ 12 ] In the 2010 photography book After All , Letinsky showcased an arrangement of her latest work, which included the series The Dog And The Wolf , To Say It Isn’t So , and Fall .
Mary Carnell (December 21, 1861 — October 10, 1925) also seen as Mary Carnell MacEuen, was an American photographer and clubwoman based in Philadelphia, Pennsylvania. She was founder and first president of the Women's Federation of the Photographers' Association of America.
Sally Mann (born Sally Turner Munger; May 1, 1951) [1] is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
Cameron showed an interest in photography in the late 1850s and there are indications that she experimented with making photographs in the early 1860s. [1] [13] Around 1863, her daughter and son-in-law gave her a sliding-box camera for Christmas. [4] The gift was meant to provide a diversion while her husband was in Ceylon. [13]
Ema Spencer, a club member and later member of the Photo-Secession wrote that the club "was known in photographic circles here and abroad as 'the White School', [15] a reflection of White's stature and prominence. A goal of the Club was to have at least one major show of its members' work each year, but also to show the work of "photographers ...