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Il Cannone Guarnerius of 1743 is a violin created by the Italian luthier Giuseppe Bartolomeo Guarneri of Cremona (1698–1744). [ 1 ] Il Cannone is also known by the variants Il Cannone del Gesù , and the Cannon , often appended with Guarneri del Gesù , the Guarneri trademark.
[9] Moreover, Guarneri's instruments were recognized by a world-class soloist three decades before Stradivari's were likewise championed; by the 1750s, Gaetano Pugnani is known to have acquired and preferred a Giuseppe Guarneri del Gesù violin, but it is not until the 1780s that his pupil, Giovanni Battista Viotti, became an advocate of ...
A Guarneri violin is a center object in one of Andrea Camilleri's main Montalbano novels La Voce del violino ("The voice of the violin"). In the summer of 2010, the ex- Vieuxtemps Guarneri del Gesù, a violin built in 1741 by Bartolomeo Giuseppe Guarneri, was offered for sale at auction with a starting bid of $18 million, the highest price ever ...
The Lord Wilton Guarnerius, sometimes called the ex-Yehudi Menuhin, [1] is an antique and valuable violin fabricated by Italian luthier Bartolomeo Giuseppe "del Gesù" Guarneri (1698–1744), usually called Guarneri del Gesù. The violin was made in 1742 in the city of Cremona. [2]
The Vieuxtemps Guarneri is a violin built by the renowned Italian instrument maker Giuseppe Guarneri around 1741. One of the last built by Bartolomeo Giuseppe Guarneri, this Guarneri del Gesù instrument gained its name after being owned by the Belgian 19th century violinist Henri Vieuxtemps.
The Vollers made fine reproductions of Guarneri del Gesu that rank amongst their finest work. These include copies of the "d'Egville" of 1735 and several versions of the "Leduc" of 1743 whose originals had been brought to Britain by the collector David Laurie before passing through the hands of George Hart and in 1894, the Hills.
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A promising young violin maker named Antonio Stradivari was emerging, who in 1680 moved his workshop to the Piazza San Domenico, just a few metres away from the Casa Guarneri. [1] Because of this increasing local competition, by 1683, Pietro had moved to Mantua, leaving Giuseppe to work in their father's shop.
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