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Social sculpture is a phrase used to describe an expanded concept of art that was invented by the artist and founding member of the German Green Party, Joseph Beuys. Beuys created the term "social sculpture" to embody his understanding of art's potential to transform society.
The Social Sculpture Lab continues to engage with, develop and share Beuys' social sculpture understandings through such initiatives as the 7000 HUMANS Global Social Forest,. which has close connections with Beuys' 7000 Oaks, Sacks' social sculpture-connective practice methodologies, and a growing network of Social Sculpture Hubs in Germany ...
Social practice or socially engaged practice [1] in the arts focuses on community engagement through a range of art media, human interaction and social discourse. [2] While the term social practice has been used in the social sciences to refer to a fundamental property of human interaction, it has also been used to describe community-based arts practices such as relational aesthetics, [3] [4 ...
Sociomusicology (from Latin: socius, "companion"; from Old French musique; and the suffix -ology, "the study of", from Old Greek λόγος, lógos : "discourse"), also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music (often in combination with other arts), as well as a subfield of musicology that focuses on social ...
Social practice art" is a term for artwork that uses social engagement as a primary medium, and is also referred to by a range of different names: socially engaged art, [10] community art, new-genre public art, [11] participatory art, interventionist art, and collaborative art.
In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music. In practice, these research topics are more often considered within ethnomusicology and "historical musicology" is typically assumed to imply Western Art music of the European tradition.
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
Theory, Culture & Society is a peer-reviewed academic journal that was established in 1982 and covers sociology, cultural, and social theory.The journal [1] aims to work "across the borderlines between sociology and cultural studies, the social sciences and the humanities and has moved towards a broader transdisciplinary frame of reference."