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Social sculpture is a phrase used to describe an expanded concept of art that was invented by the artist and founding member of the German Green Party, Joseph Beuys. Beuys created the term "social sculpture" to embody his understanding of art's potential to transform society.
Social practice or socially engaged practice [1] in the arts focuses on community engagement through a range of art media, human interaction and social discourse. [2] While the term social practice has been used in the social sciences to refer to a fundamental property of human interaction, it has also been used to describe community-based arts practices such as relational aesthetics, [3] [4 ...
The Social Sculpture Lab continues to engage with, develop and share Beuys' social sculpture understandings through such initiatives as the 7000 HUMANS Global Social Forest,. which has close connections with Beuys' 7000 Oaks, Sacks' social sculpture-connective practice methodologies, and a growing network of Social Sculpture Hubs in Germany ...
Social Theory and Practice is a peer-reviewed academic journal that features discussion of theoretical and applied questions in social, political, legal, economic, educational, and moral philosophy, including critical studies of classical and contemporary social philosophers. Established in 1970, it publishes original philosophical work by ...
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
Social practice art" is a term for artwork that uses social engagement as a primary medium, and is also referred to by a range of different names: socially engaged art, [10] community art, new-genre public art, [11] participatory art, interventionist art, and collaborative art.
10 October 1974 – Official proclamation of the Sociological Art Collective with Manifesto #1 published in newspaper Le Monde.; December 1974 - “Art against Ideology” exhibition organized by Bernard Teyssedre with the Sociological Art Collective at Galerie Rencontres, Paris, with works from Jean-François Bory, Collectif d’Art Sociologique, Groupe de Rosario, Guerilla Art Action Group ...
Rendell’s research, writing and teaching is transdisciplinary and crosses architecture, art, feminism, history and psychoanalysis. [3] Her co-edited collections all explore different intersections between architecture and other disciplines, from those with an urban focus such Strangely Familiar (1996) and The Unknown City (2001), to those with a particular interest in architectural history ...