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"Nothing Gold Can Stay" by American composer William Thayer Ames, [6] a choral setting of the poem. "Nothing Gold Can Stay" by American composer Cecil William Bentz, [7] a choral setting of the poem in his opus, "Two Short Poems by Robert Frost." "Nothing Gold Can Stay" [8] by American composer Steven Bryant, [9] an instrumental chorale ...
War memorial in ChristChurch Cathedral, Christchurch, New Zealand CWGC headstone with excerpt from "For The Fallen". Laurence Binyon (10 August 1869 – 10 March 1943), [3] a British poet, was described as having a "sober" response to the outbreak of World War I, in contrast to the euphoria many others felt (although he signed the "Author's Declaration" that defended British involvement in the ...
The poem on a gravestone at St Peter’s church, Wapley, England "Do not stand by my grave and weep" is the first line and popular title of the bereavement poem "Immortality", written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
9/11 Quotes • "Even the smallest act of service, the simplest act of kindness, is a way to honor those we lost, a way to reclaim that spirit of unity that followed 9/11." — President Obama in ...
"Sympathy" as first published in Lyrics of the Hearthside, 1899 "Sympathy" is an 1899 poem written by Paul Laurence Dunbar. Dunbar, one of the most prominent African-American writers of his time, wrote the poem while working in unpleasant conditions at the Library of Congress. The poem is often considered to be about the struggle of African ...
In the early 1980s Harkins sent the piece, with other poems, to various magazines and poetry publishers, without any immediate success. Eventually it was published in a small anthology in 1999. He later said: "I believe a copy of 'Remember Me' was lying around in some publishers/poetry magazine office way back, someone picked it up and after ...
Gone From My Sight", also known as the "Parable of Immortality" and "What Is Dying" is a poem (or prose poem) presumably written by the Rev. Luther F. Beecher (1813–1903), cousin of Henry Ward Beecher and Harriet Beecher Stowe. At least three publications credit the poem to Luther Beecher in printings shortly after his death in 1904. [1]
In 133 cantos, including the prologue and the epilogue, Tennyson uses the stylistic beats of tetrameter to address the subjects of spiritual loss and themes of nostalgia, philosophic speculation, and Romantic fantasy in service to mourning the death of his friend, the poet A. H. Hallam; thus, in Canto IX, Tennyson describes the return of the ...
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