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Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Carl Warner was born in Liverpool, England in 1963. At the age of seven he moved to Kent with his parents and as an only child spent hours in his bedroom listening to music, drawing and creating worlds from his imagination, inspired by the posters on his walls by artists such as Salvador Dali and Patrick Woodroofe and the record sleeve designs of Roger Dean and the work of Hipgnosis.
Still life: An Allegory of the Vanities of Human Life. Steenwyck was born in Delft, c. 1612. He was the brother of Pieter Steenwijck, also a still-life painter. [1] His father was Evert Hamenz who was an eyeglass maker. In 1628 he moved to Leiden to live and study with his uncle. [2]
Still life paintings by Vincent van Gogh (Paris) is the subject of many drawings, sketches and paintings by Vincent van Gogh in 1886 and 1887 after he moved to Montmartre in Paris from the Netherlands. While in Paris, Van Gogh transformed the subjects, color and techniques that he used in creating still life paintings.
Still Life of Fruit and Dead Fowl or A Stoneware jug, Fruit, and Dead Game Birds is a c. 1650 oil-on-panel still-life painting by the Dutch Golden Age painter Harmen Steenwijck. It features dead birds which are meant to represent mortality and fruits which are meant to convey wealth.
Still Life with Bread and Eggs (Le pain et les oeufs) is an 1865 painting by Paul Cézanne in the collection of the Cincinnati Art Museum. It is considered one of Cézanne's most important early still life paintings. In 2022 it was discovered it had been painted over an earlier portrait, possibly a self-portrait.
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