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"See the Breathtaking 14th-Century Sienese Artworks That Helped Set the Italian Renaissance in Motion". Smithsonian Magazine; Marcus, J. S. (August 9, 2024). "Medieval Siena gets its place in the spotlight at the National Gallery". The Art Newspaper - International art news and events
A miniature depicting the Battle of Montaperti, from the Nuova Cronica (14th century) Medieval coin of the Republic of Siena (12th century) In the 13th century, Siena was predominantly Ghibelline, in opposition to Florence's Guelph position (this conflict formed the backdrop for some of Dante Alighieri's Divine Comedy, completed in 1320).
The Republic of Siena was one of the most powerful of the fourteenth-century Italian city-states, an urban hub filled with bankers and merchants with many international contacts. The fourteenth century was a turbulent time for politics in the Italian cities due to constant violent party struggles; governments were overthrown, and governments ...
The Noveschi or the IX were a mercantile-banking oligarchy that ruled the Italian city-state of Siena from 1287 to 1355 AD. They oversaw the period of Siena's greatest stability and prosperity in the Medieval era with numerous new construction sites opened such as the Siena Cathedral and the Palazzo Pubblico.
Download QR code; Print/export Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "14th century in the Republic of Siena"
Simone Martini, Annunciation with St. Margaret and St. Ansanus, 1333. The Sienese school of painting flourished in Siena, Italy, between the 13th and 15th centuries.Its most important artists include Duccio, whose work shows Byzantine influence, his pupil Simone Martini, the brothers Pietro and Ambrogio Lorenzetti and Domenico and Taddeo di Bartolo, Sassetta, and Matteo di Giovanni.
Download as PDF; Printable version; In other projects ... Establishments in the Republic of Siena by century (3 C) 0–9. 13th century in the Republic of Siena (1 C ...
The faces of the Virgin and Child were scraped and repainted in the early 14th century in the manner of Duccio and so are not representative of Guido's original. A dossal featuring the Virgin and Child with four saints (accession No. 7) in the Siena Pinacoteca has an identical inscription, but unfortunately the name before "de Senis" has been ...