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An exploration of meaning and meaninglessness or "commonsense" and "nonsense" through metaphysics, epistemology, grammar, and eventually psychoanalysis, The Logic of Sense consists of a series of thirty-four paradoxes followed by an appendix that contains five previously published essays, including a brief overview of Deleuze's ontology entitled "Plato and the Simulacrum".
While The Logic of Sensation is sometimes viewed as a work of art history, Deleuze's wrote that the primary motivation for creating the work was to explore the philosophy of art. He also sought to explore the conceptualization of art beyond the representation of an image. The text was translated into English by Daniel W. Smith in 2003. [2]
Deleuze reinterpreted the term in The Logic of Sense, inspired both by Artaud's text and the work of psychotherapist Gisela Pankow; [7] here, he conceptualized the body without organs in the context of psychoanalysis, observing that the practice as it existed refused the thorough creation of BwOs. [8]
Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
Download as PDF; Printable version; ... Pages in category "Works by Gilles Deleuze" ... The Logic of Sense; M. Masochism: Coldness and Cruelty ...
Gilles Deleuze, Difference and Repetition, 1968; Gilles Deleuze, The Logic of Sense, 1969; Gilles Deleuze and Félix Guattari, Capitalism and Schizophrenia, 1972–1980; Jean Baudrillard, The Mirror of Production, 1973; Luce Irigaray, Speculum of the Other Woman, 1974; Michel Foucault, Discipline and Punish, 1975
An example of this is the meaning, or sense, of a proposition that is not a material aspect of that proposition (whether written or spoken) but is nonetheless an attribute of that proposition. [2] In Bergsonism, Deleuze writes that "virtual" is not opposed to "real" but opposed to "actual", whereas "real" is opposed to "possible". [3]
Assemblage (from everyday French: agencement, - arrangement, layout, "a collection of things which have been gathered together or assembled") is a philosophical concept developed by Gilles Deleuze and Félix Guattari [1] and subsequently taken up by other theorists, such as Bruno Latour and Michel Callon who developed Actor-network theory, [2] Manuel DeLanda in his work on assemblage theory [3 ...