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A macrophotography bellows mounted on a Canon FT QL (1966) A folding Kodak camera with bellows. In photography, a bellows is the accordion-like, pleated expandable part of a camera, usually a large or medium format camera, to allow the lens to be moved with respect to the focal plane for focusing. [1] Bellows are also used on enlargers.
A stat camera is a large-format vertical or horizontal stationary camera used to shoot film for camera-ready artwork, and sometimes called a copy camera. This is a large bellows-type camera which consists of the copy-board, bellows and lens, and filmboard. The vertical type can take up relatively little space, while the horizontal fills two ...
L.F. Deardorff & Sons Inc. was a manufacturer of wooden-construction, large-format 4"x5" and larger bellows view camera from 1923 through 1988. [ 1 ] [ 2 ] They were used by professional photographic studios .
The most common large format is 4 in × 5 in (10 cm × 13 cm), which was the size used by cameras like the Graflex Speed Graphic and Crown Graphic, among others. Less common formats include quarter-plate (3.25 in × 4.25 in (8.3 cm × 10.8 cm)), 5 in × 7 in (13 cm × 18 cm), and 8 in × 10 in (20 cm × 25 cm); the size of many old 1920s Kodak cameras (various versions of Kodak 1, 2, and 3 and ...
The 20×24 is collapsible for storage and transport like a field camera: the bellows are compressed into the body, and the body lowers into its base. [6] In use, the bellows can be extended from 17 to 60 in (43 to 152 cm); the front standard has a movement range of 24 in (61 cm) (rise and fall), 6 in (15 cm) (side-to-side shift), and 4 in (10 ...
Monorail cameras are view cameras with lens mount, bellows, and interchangeable viewing and film backs all fitted along a rigid rail along which they can slide until locked into position. Bermpohl 13x18 cm Camera (Prototyp ?) They can take sheet film in large sizes, and since the advent of digital photography can take a digital back.
The Reisekamera was a popular wooden bellows view camera of the tailboard design, manufactured in large quantities in specialised cabinetmaker's workshops of the eastern regions of Germany from about 1860, but reaching peak popularity in the decades around 1900.
The first camera, the SLV, was born with the 6X7 / 6X9 format, with a rotating back with click stop every 90 degrees and the lens, a Super Angulon 5,6/47 mm in focusing helical mount by Schneider, was not interchangeable. The shift mechanism permitted a total rise or fall of 25 mm, it consisted of a control knob and two counter-posed screws ...