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Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
The presence of horses in Chinese art was particularly notable during the Tang dynasty, when many masterpieces prominently featured these animals. Noteworthy examples include the famous Flying Horse of Gansu [16] and the Six Steeds of Zhao Mausoleum. The horse emerged as a distinct artistic subject early in Chinese history. [17]
The history of the Chakouyi is closely linked to that of the Silk Road [3] and horse mail [4] since its breeding developed along these trade and communication routes under the name 岔口驿马 (chakouyi), which roughly translates as “transmission station by road.” [2] Horses with good stamina were needed to carry goods, messages, military orders, and the Emperor's instructions ...
An iconography of a work of art is the analysis of the visual images and symbols employed. [12]As an expressional subject matter, this figurine of a horse is depicted proportionally and realistically, with great attention paid to its anatomical accuracy, colour treatment, texture and embellishments.
The Six Steeds of Zhao Mausoleum (simplified Chinese: 昭陵六骏; traditional Chinese: 昭陵六駿; pinyin: Zhāolíng Liùjùn) are six Tang (618–907) Chinese stone reliefs of horses (1.7m x 2.0m each) which were located in the Zhao Mausoleum, Shaanxi, China. Zhao Mausoleum is the mausoleum of Emperor Taizong of Tang (r. 626–649).
Guo was struck by the beauty of the horse and selected it for national and international exhibition. [4] The horse in the bronze is a breed brought back from Fergana by a punitive expedition sent by Emperor Han Wudi in 104 BCE. These "celestial horses" were highly prized as marks of status. [5]
Three paintings were contributed by Gao Qifeng: an eagle, a horse, and a lion. [46] Such works had been praised by Sun, who considered them representative of the revolutionary spirit. By 1927, the school had established a solid position as a modernizing movement in Chinese art, which was supported by their allies in the ruling Kuomintang party ...
Giuseppe Castiglione, S.J. (simplified Chinese: 郞世宁; traditional Chinese: 郞世寧; pinyin: Láng Shìníng; 19 July 1688 – 17 July 1766), was an Italian Jesuit brother and missionary in China, where he served as an artist at the imperial court of three Qing emperors – the Kangxi, Yongzheng and Qianlong emperors. He painted in a ...