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James S. Panero (born December 15, 1975) is an American cultural critic and the executive editor of The New Criterion, a conservative culture journal. [1] [2] Early life
The roots of the classical philosophy of love go back to Plato's Symposium. [3] Plato's Symposium digs deeper into the idea of love and bringing different interpretations and points of view in order to define love. [4] Plato singles out three main threads of love that have continued to influence the philosophies of love that followed.
Psychologists Beverley, Fehr and James Russell designed and conducted six experiments to examine the concept of love horizontally: free listing of subtypes of love; rating the goodness of love examples; reaction time to verify love category memberships; the fuzzy border of love definition; the sustainability of the subcategory of love; love ...
The New Criterion is a New York–based monthly literary magazine and journal of artistic and cultural criticism, edited by Roger Kimball (editor and publisher) and James Panero (executive editor). It has sections for criticism of poetry, theater, art, music, the media, and books.
The Free Library has a separate homepage. It is a free reference website that offers full-text versions of classic literary works by hundreds of authors. It is also a news aggregator, offering articles from a large collection of periodicals containing over four million articles dating back to 1984. Newly published articles are added to the site ...
In the classical world, erotic love was generally described as a kind of madness or theia mania ("madness from the gods"). [5] This erotic love was described through an elaborate metaphoric and mythological schema involving "love's arrows" or "love darts", the source of which was often the personified figure of Eros (or his Latin counterpart, Cupid), [6] or another deity (such as Rumor). [7]
Immanuel Kant's criticism of rationalism is thought to be a source of influence for early Romantic thought. The third volume of the History of Philosophy edited by G. F. Aleksandrov, B. E. Bykhovsky, M. B. Mitin and P. F. Yudin (1943) assesses that "From Kant originates that metaphysical isolation and opposition of the genius of everyday life, on which later the Romantics asserted their ...
The love that dare not speak its name is a phrase from the last line of the poem "Two Loves" by Lord Alfred Douglas, written in September 1892 and published in the Oxford magazine The Chameleon in December 1894. It was mentioned at Oscar Wilde's gross indecency trial and is usually interpreted as a euphemism for homosexuality. [1]