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This is a partial list of works that use metafictional ideas. Metafiction is intentional allusion or reference to a work's fictional nature. It is commonly used for humorous or parodic effect, and has appeared in a wide range of mediums, including writing, film, theatre, and video gaming.
As Vincent lies, seemingly dying, at the end of the film, he quotes the final couplet of "The Raven". In the 1983 film The Dead Zone, schoolteacher Johnny Smith quotes "The Raven" to his class during a lesson. [7] In the 1986 film Short Circuit, the robot Number 5 makes the comment "nevermore" in reference to a pet raven of Stephanie Speck's.
Cultural impact: Movie quotations that viewers use in their own lives and situations; circulating through popular culture, they become part of the national lexicon. Legacy: Movie quotations that viewers use to evoke the memory of a treasured film, thus ensuring and enlivening its historical legacy.
Movie First appearance Notes "I'll be back" Terminator: The Terminator: 1984 [note 6] [note 7] "Hasta la vista, baby" Terminator: Terminator 2: Judgment Day: 1991 [note 8] "I love the smell of napalm in the morning" Lieutenant Colonel Bill Kilgore: Apocalypse Now: 1979 [note 6] [note 7] "Frankly, my dear, I don't give a damn" Rhett Butler: Gone ...
Allusion is a passing or casual reference; an incidental mention of something, either directly or by implication. [26] This means it is most closely linked to both obligatory and accidental intertextuality, as the 'allusion' made relies on the listener or viewer knowing about the original source.
Image credits: moviequotes Quotes from compelling stories can have a powerful impact on the audience, even motivating them to make a change. When we asked our expert about how movies and TV shows ...
The movie's host of pop culture allusions, ranging from the famous image of Marilyn Monroe's skirt flying up over a subway grating to Jules addressing a soon-to-be victim as "Flock of Seagulls" because of his haircut, [204] [205] have led many critics to discuss it within the framework of postmodernism. Describing the film in 2005 as Tarantino ...
Allusion differs from the similar term intertextuality in that it is an intentional effort on the author's part. [8] The success of an allusion depends in part on at least some of its audience "getting" it. Allusions may be made increasingly obscure, until at last they are understood by the author alone, who thereby retreats into a private ...