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When the time had arrived for cremation, they pulled his boat ashore from the river and put it on a platform of wood. [28] [21] They made a richly furnished bed for the dead chieftain on the ship. Thereafter, an old woman referred to as the "Angel of Death" put cushions on the bed. Then they disinterred the chieftain and dressed him in the new ...
Hilda Ellis Davidson theorizes a connection between the valknut, the god Odin, and "mental binds": For instance, beside the figure of Odin on his horse shown on several memorial stones there is a kind of knot depicted, called the valknut, related to the triskele. This is thought to symbolize the power of the god to bind and unbind, mentioned in ...
Odin, in his guise as a wanderer, as imagined by Georg von Rosen (1886). Odin (/ ˈ oʊ d ɪ n /; [1] from Old Norse: Óðinn) is a widely revered god in Germanic paganism. Norse mythology, the source of most surviving information about him, associates him with wisdom, healing, death, royalty, the gallows, knowledge, war, battle, victory, sorcery, poetry, frenzy, and the runic alphabet, and ...
A passage in Snorri Sturluson's Ynglinga Saga states that Odin—whom he presents as a human king later mistaken for a deity—instituted laws that the dead would be burned on a pyre with their possessions, and burial mounds or memorial stones erected for the most notable men.
Cremation is a method of final disposition of a dead body through burning. [ 8 ] Cryonics low-temperature freezing (usually at −196 °C or −320.8 °F or 77.1 K) and storage of a human corpse or severed head, with the speculative hope that resurrection may be possible in the future.
Often, urns were covered with stones and then surrounded by circles of stones. [324] The urns of the dead were often placed in a mortuary house , which may have served as a cultic structure. [ 333 ] Cemeteries might be placed around or reuse old Bronze Age barrows, and later placed near Roman ruins and roads, possibly to ease the passing of the ...
This image is usually interpreted as a Valkyrie who welcomes a dead man, or Odin himself, on the Tjängvide image stone from Gotland, in the Swedish Museum of National Antiquities in Stockholm. Death in Norse paganism was associated with diverse customs and beliefs that varied with time, location and social group, and did not form a structured ...
The upper four panels have been related to the cult of Odin; they include a battle scene with birds of prey in the top panel, [9] a horse in the third panel with additional legs or other structures under it (possibly Odin's eight-legged horse, Sleipnir), [10] and two valknuts in the fourth panel. The procession of men with downward-pointed ...
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