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Hyangga poetry refers to vernacular Korean poetry which transcribed Korean sounds using Hanja (similar to the idu system, the hyangga style of transcription is called hyangch'al) and is characteristic of the literature of Unified Silla. It is one of the first uniquely Korean forms of poetry.
Korean poetry originally was meant to be sung, and its forms and styles reflect its melodic origins. The basis of its prosody is a line of alternating groups of three or four syllables, which is probably the most natural rhythm to the language.
Kim Chŏnt'aek's significance in Korean literature can be seen through Confucian compilations of poetry collections. He had great achievements in the world of literature and sijo. First, Kim Chŏnt'aek helped to transfer the lead role in writing sijo from the scholar yangban class to the commoners.
East Asian literature is the diverse writings from the East Asian nations, China, Japan, Korea, Mongolia and Taiwan. Literature from this area emerges as a distinct and unique field of prose and poetry that embodies the cultural, social and political factors of each nation.
Written using Hanja in a system known as hyangchal the hyangga are believed to have been first written in the Goryeo period, as the style was already beginning to fade. A collection of hyangga known as the Samdaemok (삼대목; 三代目) was compiled in the late 9th century by Wihong, the prime minister of Queen Jinseong of Silla, and the monk Taegu-Hwasang, but was since lost. [2]
Historical fiction, or alternative history fiction, is one of the largest selling genre in South Korea. For a more serious works, authors like Jo Jung-rae and Park Wan-suh falls into this category. For lighter works, Kim Jin-myung, the author of The Rose of Sharon Blooms Again , is one of the most best selling writers.
Gasa (Korean: 가사) or kasa was a form of poetry popular during the Joseon period in Korea. Gasas were commonly sung, and were popular among yangban women. Jeong Cheol, a poet of the 16th century, is regarded as having perfected the form, which consisted of parallel lines, each broken into two four-syllable units.
Cho Ki-chon (Korean: 조기천; 6 November 1913 – 31 July 1951) was a Russian-born North Korean poet. He is regarded as a national poet [3] and "founding father of North Korean poetry" [4] whose distinct Soviet-influenced style of lyrical epic poetry in the socialist realist genre became an important feature of North Korean literature.