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Marielle Stiles Heller / ˈ m ɑːr i ɛ l / (born October 1, 1979) is an American director, screenwriter and actress. [1] She is best known for directing the films The Diary of a Teenage Girl (2015), Can You Ever Forgive Me? (2018), and A Beautiful Day in the Neighborhood (2019), as well as acting in The Queen’s Gambit (2020).
Can You Ever Forgive Me? is a 2018 American biographical drama film directed by Marielle Heller, with a screenplay by Nicole Holofcener and Jeff Whitty based on the 2008 confessional memoir of the same name by Lee Israel.
The Diary of a Teenage Girl is a 2015 American comedy-drama film written and directed by Marielle Heller, based on the hybrid novel of the same name by Phoebe Gloeckner.It stars Bel Powley as a 15-year-old girl who becomes sexually active by starting a relationship with her mother's boyfriend.
A Beautiful Day in the Neighborhood is a 2019 American biographical drama film on the TV presenter Fred Rogers, directed by Marielle Heller and written by Micah Fitzerman-Blue and Noah Harpster, inspired by the 1998 article "Can You Say ...
Nightbitch is a 2024 American black comedy film written and directed by Marielle Heller, based on the 2021 novel by Rachel Yoder. [1] The film stars Amy Adams, Scoot McNairy, Arleigh Snowden, Emmett Snowden, Mary Holland, Ella Thomas, Archana Rajan, and Jessica Harper.
Pages in category "Films directed by Marielle Heller" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. B.
He is married to film director Marielle Heller, with whom he has a son (born December 2014) [8] and a daughter (born August 2020). [9] His brother-in-law, Nate, a musician, composed the scores for The Diary of a Teenage Girl and Can You Ever Forgive Me?. [10] His sister-in-law, Emily Heller, is a stand-up comic and a writer for the HBO comedy ...
Marielle Heller adapted The Diary of a Teenage Girl: An Account in Words and Pictures after having read the book, which she found to be a jarring and life-changing experience. She immediately contacted the publisher for the rights. Initially dismissed and written off having never pursued the rights to anything, Heller wouldn't take no for an ...