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Chicago Transit Authority is the debut studio album by the American rock band Chicago, known at the time of release as Chicago Transit Authority. The double album was released on April 28, 1969 and became a sleeper hit , reaching number 17 on the Billboard 200 by 1971.
"Questions 67 and 68" is a 1969 song written by Robert Lamm for the rock band Chicago (then known as Chicago Transit Authority) and recorded for their debut album Chicago Transit Authority. It was their first single release. Peter Cetera is the primary lead singer with Lamm also on vocals.
The song was not released as a single until two tracks from the band's second album, "Make Me Smile" and "25 or 6 to 4", had become hits. It became the band's third straight Top 10 single, peaking at No. 7 in the U.S. [3] and No. 2 in Canada. [4] Because the song straddled years in its chart run, it is not ranked on the major U.S. year-end charts.
"Beginnings" is a song written by Robert Lamm for the rock band Chicago Transit Authority and recorded for its debut album Chicago Transit Authority, released in 1969. The song is the band's second single (after "Questions 67 and 68"), but failed to reach national hit parade success on its initial release. [2]
The group began calling themselves the Chicago Transit Authority (after the city's mass transit agency) [1] in 1968, then shortened the name to its current one in 1969. Self-described as a " rock and roll band with horns ," their songs often also combine elements of classical music , jazz , R&B , and pop music .
Chicago (retroactively known as Chicago II) is the second studio album by the American rock band Chicago, released on January 26, 1970, by Columbia Records. Like their debut album, Chicago Transit Authority , it is a double album.
Here’s an overview of the Chicago Transit Authority, both its history and its present-day status as the second largest public transportation system in the United States.The largest mass transit ...
The group's first album, Chicago Transit Authority, released in 1969, includes Kath's composition "Introduction", described as "Terry's masterpiece" by later Chicago guitarist Dawayne Bailey. [26] The song displays many varied musical styles, including jazz, blues, salsa, rock and roll, acid rock, and pop.
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