Search results
Results from the WOW.Com Content Network
300: Original Motion Picture Soundtrack is the soundtrack to the 2007 film of the same name by Tyler Bates. The album was released by Warner Bros. Records on March 6, 2007, three days before the film opened for public viewing.
300: Rise of an Empire (Original Motion Picture Soundtrack) is the score album to the 2014 film of the same name directed by Noam Murro, a follow-up to the 2006 film 300. Zack Snyder , who directed the first film, served as the screenwriter and producer for the sequel.
300 is a 2007 American epic historical action film [4] [5] directed by Zack Snyder, who co-wrote the screenplay with Kurt Johnstad and Michael B. Gordon, based on the 1998 comic book limited series of the same name by Frank Miller and Lynn Varley.
Nothing to Lose: Music from and Inspired by the Motion Picture: 4:09 — OutKast "Flip Flop Rock" 2003 Speakerboxxx/The Love Below: 4:35 Killer Mike, Jay-Z: Big Boi, Mr. DJ "Fresh and Clean" (Remix) 2000 Bones: Original Motion Houndtrack: 3:59 Snoop Dogg: Earthtone III "Funkanella" 2000 Backstage: A Hard Knock Life: 4:06 Killer Mike, Slimm ...
M. Malibu's Most Wanted (soundtrack) Martin Scorsese Presents the Blues: A Musical Journey; Martin Scorsese Presents the Blues: Piano Blues; Martin Scorsese Presents the Blues: Keb' Mo'
The song achieved widespread popularity after Cale's version of it was featured in the 2001 film Shrek. [3] [4] Many other arrangements have been performed in recordings and in concert, with more than 300 versions known as of 2008. [5] The song has been used in film and television soundtracks and televised talent contests.
Titus is the original soundtrack to the 1999 motion picture Titus. Elliot Goldenthal wrote the score for the film, an adaptation of Shakespeare's first, and bloodiest, tragedy Titus Andronicus; written and directed by Julie Taymor, Goldenthal's long-time friend and partner.
Although Peele did the same in Get Out, the film had a different story and the music had to identify the characters and story, and Peele wanted him to experiment with duality in music, as it was an overarching theme in the film itself. Abels came up with traditional and non-traditional sounds being experimented to come up with the appropriate ...