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Snow at Argenteuil (French: Rue sous la neige, Argenteuil) is an oil-on-canvas landscape painting by the Impressionist artist Claude Monet.It is the largest of no fewer than eighteen works Monet painted of his home commune of Argenteuil while it was under a blanket of snow during the winter of 1874–1875.
In the painting Boulevard Saint Denis, Monet sought to catch the moment when the sun was hidden behind the clouds during a light snowfall. [20] In The Magpie, Monet's largest and probably most widely known winter painting, he used blue-gray colors to depict shadows in the snow. [26] [27]
A Cart on the Snowy Road at Honfleur (French: La Charrette, route sous la neige à Honfleur) is an oil-on-canvas snowscape painting by French impressionist Claude Monet. The painting depicts a man on a wooden cart travelling along a snow-laden road in Honfleur. [2] A Cart on the Snowy Road at Honfleur is one of nearly 140 snowscapes painted by ...
Skaters in the Bois de Boulogne (French: Les patineurs à Longchamp) is an oil-on-canvas landscape painting by the French artist Pierre-Auguste Renoir, created during the winter of 1868. The painting depicts a snowscape with many Parisians, young and old, spending leisure time on a frozen park lake.
Trees in the background are barren to evoke the sense of winter. [1] [2] [9] The use of greyscale in the painting, provides dimension to the winter landscape and the snow, with the whites conveying the snow, and the greys to accentuate texture, shadow, and slush from the snow melt. The background also blurred as to convey falling snow. [1]
The Magpie (French: La Pie) is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, created during the winter of 1868–1869 near the commune of Étretat in Normandy. Monet's patron, Louis Joachim Gaudibert, helped arrange a house in Étretat for Monet's girlfriend Camille Doncieux and their newborn son, allowing Monet ...
The large painting (described by one source as "monumental" [1]) took years for the artist to complete; it was only at the urging of friends that Rousseau finished the scene. Rousseau is widely recognized for his melancholic landscape paintings, which made extensive use of a muted color palette. [ 2 ]
Influenced by the work of art historian Charles Moffett and curated by Eliza Rathbone, Impressionists in Winter was sponsored by J.P. Morgan & Co. and opened in 1998 at The Phillips Collection art museum in Washington, D.C. In 1999, the exhibition appeared at the Yerba Buena Center for the Arts in San Francisco and the Brooklyn Museum in New ...