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Meeresstille und Glückliche Fahrt, Op. 112 ("Calm Sea and Prosperous Voyage") is a cantata for chorus and orchestra composed by Ludwig van Beethoven. It is based on a pair of poems by Johann Wolfgang von Goethe. They met in 1812; Beethoven admired him and the work is dedicated to Goethe.
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Ludwig van Beethoven. Ludwig van Beethoven is one of the most influential figures in the history of classical music.Since his lifetime, when he was "universally accepted as the greatest living composer", Beethoven's music has remained among the most performed, discussed and reviewed in the Western world. [1]
Ludwig van Beethoven [n 1] (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His ...
Analysis of Form in Beethoven's Sonatas. Borough Green Sevenoaks, Kent: Novello. pp. 28– 29 – via Internet Archive. Analysis and recordings review of Beethoven's Moonlight Sonata, Roni's Journal, September 2007, Classical Music Blog; Lecture by András Schiff on Beethoven's Piano Sonata Op. 27, No. 2 – via The Guardian
The music gradually gets more agitated before calming down to transition into the rondo third movement. Beethoven would later repeat this procedure in his later piano sonatas, notably the Appassionata and Les Adieux. [5]
The symphony is clearly indebted to Beethoven's predecessors, particularly his teacher Joseph Haydn as well as Wolfgang Amadeus Mozart, but nonetheless has characteristics that mark it uniquely as Beethoven's work, notably the frequent use of sforzandi, as well as sudden shifts in tonal centers that were uncommon for traditional symphonic form (particularly in the third movement), and the ...
Most of Beethoven's best known works were published with opus numbers, with which they may be reliably identified.Another 228 works are designated WoO (Werke ohne Opuszahl – literally, "works without opus number"), among them unpublished early and occasional works (Cantata on the Death of Emperor Joseph II, WoO 87), published variations and folksong arrangements (25 Irish Songs, WoO 152 ...
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