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Well for me that I have Jesus, O how tightly I hold him that he might refresh my heart, when I'm sick and sad. Jesus I have, who loves me and gives himself to me, ah, therefore I will not leave Jesus, even when my heart breaks. —from BWV 147, chorale movement no. 6 Jesus remains my joy, my heart's consolation and sap, Jesus fends off all ...
Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies (No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2]
However, almost none of his large-scale works such as his symphonies or concertos are in this key; exceptions are the Violin concerto no. 3, Piano Concerto No. 17, Flute Concerto No. 1 and his String Quartet No. 14, along with some examples among his juvenilia. For Ludwig van Beethoven, G major was a key for optimism and cheerful energy.
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The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
In popular music and rock music, "borrowing" of chords from the parallel minor of a major key is commonly done. As such, in these genres, in the key of E major, chords such as D major (or ♭ VII), G major (♭ III) and C major (♭ VI) are commonly used. These chords are all borrowed from the key of E minor.
Jesu, nun sei gepreiset (Jesus, now be praised), [1] BWV 41, [a] is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for New Year's Day and first performed it on 1 January 1725. It is based on the hymn of the same name that Johannes Hermann wrote for the same occasion, published in 1591.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...