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Adi Shankara, in his review of the Mundaka Upanishad, calls the meditation as Yoga. [32] In verse 2.2.2, the Mundaka Upanishad asserts that Atman-Brahman is the real. [33] In verse 2.2.3, it offers an aid to the meditation process, namely Om (Aum). The poetic verse is structured as a teacher-pupil conversation, where the teacher calls the pupil ...
The eighth brahmana of the Brihadaranyaka Upanishad focuses on the concept of the imperishable (akshara). Verse 3.8.8-9 describe akshara having certain qualities. It is neither physical nor subtle, and it is not defined by physical characteristics such as size, length, or physical traits like blood or fat.
Katha Upanishad, verses 1.1.1–3, partially 4 (the text starts in the mid-1st-line, after salutations to Ganesha) The thick text is the Upanishad scripture, the small text in the margins and edges are an unknown scholar's notes and comments in the typical Hindu style of a minor bhasya.
The Taittirīya Brāhmaṇa (Sanskrit तैत्तिरीयब्राह्मण, meaning 'Brāhmaṇa of the school of Tittri', abbreviated to 'TB') is a ...
The word śālā (Skt: शाला) appears extensively in the Vedic literature, such as verse 3.12.1, 5.31.5 and others of Atharva Veda, verse 1.2.3.1 of Taittirīya Brāhmaṇa, and 1.1.3 of the Mundaka Upanishad. [6] Its proper use in classical Sanskrit is included in various verses such as 6.2.102 and 6.2.121 of the Astadhyayi of Panini. [7]
The Katha Upanishad (Sanskrit: कठोपनिषद्, IAST: Kaṭhopaniṣad), is an ancient Hindu text and one of the mukhya (primary) Upanishads, embedded in the last eight short sections of the Kaṭha school of the Krishna Yajurveda. [1] [2] It is also known as Kāṭhaka Upanishad, and is listed as number 3 in the Muktika canon of ...
For example, verse 3.5 of the Maitri Upanishad and verse 2.2.9 of the Mundaka Upanishad contain the word rāga. The Mundaka Upanishad uses it in its discussion of soul (Atman-Brahman) and matter (Prakriti), with the sense that the soul does not "colour, dye, stain, tint" the matter. [ 16 ]
The Brihadaranyaka Upanishad forms the concluding part of the last Kanda, known as 'Aranyaka' of both recensions of the Shatapatha Brahmana. [17] Swami Madhavananda states that this Upanishad is 'the greatest of the Upanishads... not only in extent; but it is also the greatest in respect of its substance and theme.