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One example is Marshall W. Mount, [8] who proposed four categories: first, "survivals of traditional styles", which show continuities in traditional working material and methods such as bronze casting or wood carving; secondly, art inspired by Christian missions; thirdly, souvenir art in the sense of tourist or "airport art", such as by the likes of artworks by South African visual artist ...
This list contains an overview of the government recognized Cultural Properties of the Philippines in Central Luzon. The list is based on the official lists provided by the National Commission on Culture and the Arts, National Historical Commission of the Philippines and the National Museum of the Philippines.
This piece became his seminal The Museum of Contemporary African Art 1997–2002, which consists of 12 rooms (some based on museum function and others personal) filled with objects made by Gaba. [ 1 ] [ 4 ] Throughout the exhibition ran a vein of confessional narrative about the artist's art travails between Africa and Europe. [ 5 ]
The different histories of museums in Europe and the United States affected the collecting and display of African art in both places. [6] European museums typically were founded as state institutions and thus their collections and displays were shaped by national interests. African art and artifacts were mostly displayed in an ethnological ...
The Dakar Biennale was conceived in 1989 as a biennale alternating between literature and art. The first edition in 1990 was focused on literature and in 1992 on visual art. In 1993 the structure of the biennale was transformed and Dak'Art 1996 became an exhibition specifically devoted to Contemporary African Art.
Art from the past 20 years is very likely to be included, and definitions often include art going back to about 1970; [5] "the art of the late 20th and early 21st century"; [6] "both an outgrowth and a rejection of modern art"; [7] "Strictly speaking, the term 'contemporary art' refers to art made and produced by artists living today"; [8] "Art ...
From the Kerma culture (2500–1500 BCE), the seat of one of the earliest civilizations of ancient Africa, weapons, items of pottery and other household objects are presented in museums such as the National Museum of Sudan, Kerma Museum, British Museum, Museum of Fine Arts, Boston [7] and the Metropolitan Museum of Art.
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988.