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The vases have been described as the "best-known porcelain vases in the world" [1] and among the most important blue-and-white Chinese porcelains. [2] Though they are fine examples of their type, their special significance comes from the date in the inscriptions on the vases. [1]
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, [1] or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles.
The "mallet" vase was a special favourite at Longquan, often with handles formed as animals or dragons. [20] Funerary vases, made in pairs, also often feature charmingly stylized animals, usually tigers and dragons, curled around the shoulders of the vessel. These were used in southern Chinese burial custom to store provisions for the afterlife ...
Plate from the Harewood House botanical dessert service, probably 1830s-1840s. Coalport, Shropshire, England was a centre of porcelain and pottery production between about 1795 ("inaccurately" claimed as 1750 by the company) [1] and 1926, with the Coalport porcelain brand continuing to be used up to the present.
The lower body is shaped like the calyx of a flower, and the foot is stepped. The psykter-shaped vase fits inside it so well stylistically that it has been suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the lower body or "cul". [7]
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