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Reggae fusion is a mixture of reggae or dancehall with elements of other genres, such as hip hop, R&B, jazz, rock, drum and bass, punk or polka. [12] Although artists have been mixing reggae with other genres from as early as the early 1970s, it was not until the late 1990s when the term was coined.
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Reggae (/ ˈ r ɛ ɡ eɪ /) is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. [1] A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience.
Reggae is one of the music genres first created in Jamaica. In the late 1960s, around the same time of toasting, reggae grew out of early Ska and Rocksteady. Reggae became popular around the world, due in large part to the international success of artists like Bob Marley, Peter Tosh and Bunny Wailer.
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Musically, roots reggae maintains a specific sonic identity, characterised by deep basslines, skanking guitar patterns, and the inclusion of horns. [1] While these distinctions exist, the lines between reggae and roots reggae can be flexible, and the two genres share a significant overlap within the broader reggae musical landscape.
Reggae fusion is a fusion genre of reggae that mixes reggae and/or dancehall with other genres, such as pop, rock, hip-hop/rap, R&B, jazz, funk, soul, disco, electronic, and Latin music, amongst others.
Raggamuffin music (or simply ragga) is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music with heavy use of sampling.. Wayne Smith's "Under Mi Sleng Teng", produced by King Jammy in 1985 on a Casio MT-40 synthesizer, is a seminal ragga song.