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Exaggeration is the representation of something as more extreme or dramatic than it is, intentionally or unintentionally. It can be a rhetorical device or figure of speech , used to evoke strong feelings or to create a strong impression.
Hyperbole (/ h aɪ ˈ p ɜːr b əl i / ⓘ; adj. hyperbolic / ˌ h aɪ p ər ˈ b ɒ l ɪ k / ⓘ) is the use of exaggeration as a rhetorical device or figure of speech.In rhetoric, it is also sometimes known as auxesis (literally 'growth').
Per Merriam-Webster, hyperbole is defined as “extravagant exaggeration.” Dictionary.com defines hyperbole as “obvious and intentional exaggeration” or “an extravagant statement or figure ...
The use of the word needs to be defined precisely and used with care. [19] The Princeton Encyclopedia also states that, "limits become clear only when a text signals by some other means (semantic: change of subject; syntactic: end of stanza/poem; pragmatic; change of voice, person, or form of address) a change of direction."
Innuendo: having a hidden meaning in a sentence that makes sense whether it is detected or not. Irony: use of word in a way that conveys a meaning opposite to its usual meaning. [18] Kenning: using a compound word neologism to form a metonym. Litotes: emphasizing the magnitude of a statement by denying its opposite.
Flanderization is a widespread phenomenon in serialized fiction. In its originating show of The Simpsons, it has been discussed both in the context of Ned Flanders and as relating to other characters; Lisa Simpson has been discussed as a classic example of the phenomenon, having, debatably, been even more Flanderized than Flanders himself. [9]
A cognitive distortion is a thought that causes a person to perceive reality inaccurately due to being exaggerated or irrational.Cognitive distortions are involved in the onset or perpetuation of psychopathological states, such as depression and anxiety.
The term is derived for the Italian caricare—to charge or load. An early definition occurs in the English doctor Thomas Browne's Christian Morals, published posthumously in 1716. Expose not thy self by four-footed manners unto monstrous draughts, and Caricatura representations. with the footnote: