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A soprano (Italian pronunciation: [soˈpraːno]) is a type of classical singing voice and it has the highest vocal range of all voice types.The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C 4) = 261 Hz to "high A" (A 5) = 880 Hz in choral music, or to "soprano C" (C 6, two octaves above middle C) = 1046 Hz or higher in operatic music.
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.
Most soprano roles do not extend above C6 although there are several standard soprano roles that call for D6. At the highest extreme, some coloratura soprano roles may reach to F6 (the F above high C). [7] Soprano tessitura: The tessitura of the soprano voice lies higher than all the other voices except the sopranino. In particular, the ...
[1] Soprano: the highest female voice, being able to sing C 4 (middle C) to C 6 (high C), and possibly higher; Mezzo-soprano: the middle female voice, between A 3 (A below middle C) and A 5 (two octaves above A 3) Contralto: the lowest female voice, F 3 (F below middle C) to E 5 (two Es above middle C). Rare contraltos possess a range similar ...
Vocal pedagogists teach that, with study, a singer can move effortlessly from one register to another with ease and consistent tone. Registers can even overlap while singing. Teachers who prefer the theory of "blending registers" usually help students through the "passage" from one register to another by hiding their "lift" (where the voice ...
Passaggio (Italian pronunciation: [pasˈsaddʒo]) is a term used in classical singing to describe the transition area between the vocal registers.The passaggi (plural) of the voice lie between the different vocal registers, such as the chest voice, where any singer can produce a powerful sound, the middle voice, and the head voice, where a penetrating sound is accessible, but usually only ...
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
The criteria for classifying musical instruments vary depending on the point of view, time, and place. The many various approaches examine aspects such as the physical properties of the instrument (shape, construction, material composition, physical state, etc.), the manner in which the instrument is played (plucked, bowed, etc.), the means by which the instrument produces sound, the quality ...