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Caroline "Dolly" Martha Bell (1874–1970) was an American artist and educator, who painted water and landscape scenes mostly around the Peconic region of Long Island, New York. [1] She, along with other local female artists would often paint impressionist type paintings together.
After staying in Old Lyme, Connecticut, as a guest of Florence Griswold, he eventually moved near Old Lyme in part because of his interest in painting their ever-present oxen, which Volkert described as "twice as good as cows at posing . . . oxen are always ready to stand still, but cows are more inquisitive and when a newcomer appears they ...
The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]
Edward Henry Potthast was born on June 10, 1857, in Cincinnati, Ohio, to Henry Ignatz Potthast and Bernadine Scheiffers. [2] Starting in 1870 he studied art at the McMicken School in Cincinnati and in 1873 he started working at the Strobridge Lithography Company. [3]
Cow Pasture near Louveciennes: 1875 The Forge at Marly-le-Roi: 1875 54 x 73 Musée d'Orsay, Paris Landscape at Andresy: 1875 The Meadow: 1875 54.9 x 73 National Gallery of Art, Washington, D.C. Landscape along the Seine with the Institut de France and the Pont des Arts: c.1875 53.3 × 62.2 Art Institute of Chicago
Frederick Childe Hassam (/ ˈ tʃ aɪ l d ˈ h æ s əm /; October 17, 1859 – August 27, 1935) was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums.
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