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Similarities have been noted with a folktale from the Ryukyu Islands, in which the moon god decides to give man the water of life (Miyako: sïlimizï), and serpents the water of death (sïnimizï). However, the person entrusted with carrying the pails down to Earth gets tired and takes a break, and a serpent bathes in the water of life ...
Phil Hoad of The Guardian rated the film 3 stars out of 5 and wrote, "Death Valley is never fully disturbing, but enjoyably gross is good enough." [1]Michael Pementel of Bloody Disgusting gave the film a score of 3/5 and wrote, "In its riveting suspense and great science-fiction horror atmosphere, Death Valley is a wild time you don’t want to miss out on."
Sally Newall of The Independent wrote of Immortal Egypt that, "You couldn't fault Fletcher's passion or knowledge, which, like in her previous outing in Life and Death in the Valley of the Kings, was always accessible"; this perceived accessibility, Newall said, "[makes] it easy to share her enthusiasm – even without Egyptology's most eye ...
Death Valley is a 1982 American slasher film [3] [4] directed by Dick Richards, written by Richard Rothstein, and starring Paul Le Mat, Catherine Hicks, Stephen McHattie, Wilford Brimley, Peter Billingsley, and Edward Herrmann.
Gods of Egypt grossed $31.2 million in the United States and Canada, and $119.6 million in other countries, for a worldwide total of $150.7 million against a production budget of $140 million. [1] The Hollywood Reporter estimated the film lost the studio up to $90 million, when factoring together all expenses and revenues. [ 40 ]
Joann Fletcher (born 30 August 1966) is an Egyptologist and an honorary visiting professor in the department of archaeology at the University of York.She has published a number of books and academic articles, including several on Cleopatra, and made numerous television and radio appearances.
In 1940, [25] the entrepreneur and translator Anis Ebeid established "Anis Ebeid Films", as the first subtitling company in Egypt and the rest of the Middle East, bringing hundreds of American and World movies to Egypt. Later he entered the movie distribution business too. [26] Egyptian cinema flourished in the 1940s, with the number of films ...
Egyptians believed that even after death, one's spirit would live on because the life force was a separate entity that could detach itself from the body. This life force was named the Ka , and was considered to be one part of what the Egyptian believed to be the immortal soul.