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"All I Need" is a song by the English rock band Radiohead, produced by Nigel Godrich. It was released as a promotional single on 5 January 2009, from their seventh studio album, In Rainbows (2007). "All I Need" is a downbeat track with lyrics about obsession and unrequited love.
On "All I Need", Jonny Greenwood wanted to capture the white noise generated by a band playing loudly in a room, which never occurs in the studio. His solution was to have a string section play every note of the scale, blanketing the frequencies. [35] Radiohead recorded a version of "Nude" during the OK Computer sessions, but
Radiohead released "Follow Me Around" on the 2021 compilation album Kid A Mnesia. It was released as the second single on 1 November. [ 6 ] The day before the release, Radiohead uploaded a full-quality clip of the performance from Meeting People is Easy to their YouTube channel.
"You're All I Need" is a power ballad [2] by American heavy metal band Mötley Crüe. It was released as the third and final single from the band's 1987 album Girls, Girls, Girls. The song peaked at 83 on the Hot 100, and 23 on the UK Singles Chart. Despite the controversy and its lack of chart success, the song is considered one of their best ...
"Everything in its Right Place" is an electronic song featuring synthesiser and digitally manipulated vocals. [16] It uses unusual time signatures and mixed modes, staples of Radiohead's songwriting. [17] O'Brien observed that it lacks the crescendos of Radiohead's previous songs. [12] Adam Zwi of Radio National described it as dissonant and ...
In Rainbows – From the Basement was filmed in one day, with sound by Radiohead's producer, Nigel Godrich, and video direction by David Barnard at the Hospital studio in Covent Garden, London. [4] It was the first episode of the second series of Godrich's series From the Basement .
Kolderie said "Inside My Head" was "not very melodic" and lacked the power of Radiohead's other songs. [8] Hufford described the results as "overblown bombastic rock". [8] During rehearsals, Radiohead unexpectedly played another song, "Creep". They considered it a "throwaway" track, but it impressed the producers. [14]
Reviewing Kid A in 2000, NME's Keith Cameron wrote that the song sees Radiohead's "return to the big ballad template, as massed strings swoon and Yorke's voice soars transcendentally for the first time". [106] The Rolling Stone critic David Fricke wrote that the song "moves like an ice floe: cold-blue folk rock with just a faint hint of heartbeat."