Search results
Results from the WOW.Com Content Network
The Shiva Purana contains chapters with Shiva-centered cosmology, mythology, and relationship between gods, ethics, yoga, tirtha (pilgrimage) sites, bhakti, rivers and geography, and other topics. [10] [2] [11] The text is an important source of historic information on different types and theology behind Shaivism in early 2nd-millennium CE. [12]
Consisting of 12 chapters, this canto is short and historical. [5] It weaves in the characters well known in the Hindu epic Mahabharata , states Rocher, and introduces in the key characters that appear in remaining books of the Devi-Bhagavata Purana . [ 52 ]
The Brahmin Vedic scholar Bikshu Sastrigal translated the work under the name of Ulaganatha Swamigal. The Tamil version is a free translation of the original Sanskrit text and consists of 1,964 verses. [3] This Tamil translation is published by Sri Ramanashramam, Thiruvannamalai, Tamil Nadu, India.
The chapter 1.17 of the Linga Purana introduces Linga as Pradhana or Prakriti (cosmic substance), while Shiva is described as Lingin, or one with this "subtle body". [12] Lingam is presented by the text as an abstract concept, the formless reality , contrasted with Alinga (Vyakta), along with its phallic significance with the sexual truth in ...
The Lingashtaka also references other legends of Shiva, such as the quelling of the pride of Ravana when the latter attempted to lift Mount Kailash, and the destruction of Daksha's yajna. The phalashruti (meritorious verse) of the hymn states that when the Lingashtaka is recited near a lingam, the reciter would attain the abode of Shiva and ...
The pañcānana (Sanskrit: पञ्चानन), also called the pañcabrahma, [1] are the five faces of Shiva corresponding to his five activities (pañcakṛtya): creation (sṛṣṭi), preservation (sthithi), destruction (saṃhāra), concealing grace (tirobhāva), and revealing grace (anugraha). [2]
[12] The Ishvara-gita borrows and refers to the Upanishads such as the Katha Upanishad and Shvetashvatara Upanishad. [10] It presents yoga and vrata like the Bhagavad Gita, but as a discourse from Shiva. The discourse begins after Vishnu and Shiva embrace each other, according to the text, and then Vishnu invites Shiva to explain the nature of ...
These forms are based on the Puranas and the Itihasas, in which the theme of Shiva's divine play is explained with numerous narratives. Most of these forms are featured in South Indian temples as the main images of the sanctum or sculptures and reliefs in the outer walls of Shiva temples.