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The book is also highly regarded for his wide and far-reaching conceptualization of parody. [2] In the book Genette coined the term paratext , which has since become widespread to denote prefaces, introductions, illustrations or other material accompanying the text, or hypotext for the sources of the text.
Transtextuality is defined as the "textual transcendence of the text".According to Gérard Genette transtextuality is "all that sets the text in relationship, whether obvious or concealed, with other texts" and it "covers all aspects of a particular text". [1]
In literary interpretation, paratext is material that surrounds a published main text (e.g., the story, non-fiction description, poems, etc.) supplied by the authors, editors, printers, and publishers. These added elements form a frame for the main text, and can change the reception of a text or its interpretation by the public.
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Genette was born in Paris, where he studied at the Lycée Lakanal and the École Normale Supérieure, University of Paris. [1] After leaving the French Communist Party, Genette was a member of Socialisme ou Barbarie during 1957–8. [2] He received his professorship in French literature at the Sorbonne in 1967.
Cratylism as a philosophical theory that holds that there is a natural relationship between words and what words designate. [1] It reflects the teachings of the Athenian Cratylus (Ancient Greek: Κρατύλος, also transliterated as Kratylos), fl. mid to late 5th century BCE, who is Socrates' interlocutor in Plato's eponymous dialogue Cratylus.
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James Joyce's 1922 novel Ulysses bears an intertextual relationship to Homer's Odyssey.. Julia Kristeva coined the term "intertextuality" (intertextualité) [13] in an attempt to synthesize Ferdinand de Saussure's semiotics: his study of how signs derive their meaning from the structure of a text (Bakhtin's dialogism); his theory suggests a continual dialogue with other works of literature and ...