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" Mele Kalikimaka" (pronounced [ˈmɛlɛ kəˌlitiˈmɐkə]) is a Hawaiian-themed Christmas song written in 1949 by R. Alex Anderson. The song takes its title from the Hawaiian transliteration of "Merry Christmas", Mele Kalikimaka. [1] One of the earliest recordings of this song was by Bing Crosby and the Andrews Sisters in 1950 on Decca. [2]
Robert Alexander Anderson (often given as R. Alex Anderson) (June 6, 1894 – May 30, 1995) [1] was an American composer who was born and lived most of his life in Hawaii, writing many popular Hawaiian songs within the hapa haole genre including "Lovely Hula Hands" (1940) and "Mele Kalikimaka" (1949), the latter the best known Hawaiian Christmas song.
Sanoe, is a famous song composed by Queen Liliʻuokalani who wrote the words and the music. "Sanoe" is the Hawaiian word meaning – the mist that drifts over our mountains – and alludes to the man drifting in like the mist to see his ipo (sweetheart). [28] It is in the Queen's Song Book and also in He Mele Aloha. [29]
The song opens an album by the same name, Honolulu City Lights, which became the all-time bestselling Hawaiian album. [1] It won several of the Hawaiian music industry's Na Hoku Hanohano Awards in 1979, among them that for Best Contemporary Hawaiian Album, and both song and album went on to become one of the most popular and most played works ...
Quincy Cortez, 16, takes his third lesson with Alan Akaka, who has been playing the Hawaiian steel guitar for more than 50 years. (Stephanie Yang / Los Angeles Times)
Slack-key guitar (from Hawaiian kī hōʻalu, which means "loosen the [tuning] key") is a fingerstyle genre of guitar music that originated in Hawaii. This style of guitar playing involves altering the standard tuning on a guitar from E-A-D-G-B-E, which has been used for centuries, so that strumming across the open strings will then sound a ...
It is also a Hawaiian themed Christmas song composed by Robert Alex Anderson in 1949. The phrase is borrowed directly from English, but, since Hawaiian has a different phonological system (in particular, Hawaiian does not possess the /r/ or /s/ of English, nor does it have the phonotactic constraints to allow consonants at the end of a syllable ...
Hawaiian Music and Musicians. University Press of Hawaii. pp. 350–360. ISBN 0-8248-0578-X. Indie blog, 2008: "Country music musicians were drawn to Hawaiian music when they first heard the Hawaiian steel guitar at the San Francisco Pan Pacific Exposition in 1915. Soon, artists such as Hoot Gibson and Jimmie Davis were recording with Hawaiians.