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Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Hubert Charles Sumlin (November 16, 1931 – December 4, 2011) was a Chicago blues guitarist and singer, [1] best known for his "wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions" as a member of Howlin' Wolf's band. [2]
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
He is best known as the principal guitarist in Howlin' Wolf's band from 1948 to 1953. [2] His raucous, distorted guitar playing is prominent on Howlin' Wolf's Memphis recordings during 1951–1953, including the hit song "How Many More Years" (recorded May 1951). [3] In 2017, Johnson was posthumously inducted in to the Blues Hall of Fame. [4]
"Killing Floor" (Howlin' Wolf song), 1964 "Killing Floor", a song on Redgum's 1978 album If You Don't Fight You Lose "Killin' Floor", a song on Body Count's 1992 album Body Count
It should only contain pages that are Howlin' Wolf songs or lists of Howlin' Wolf songs, as well as subcategories containing those things (themselves set categories). Topics about Howlin' Wolf songs in general should be placed in relevant topic categories .
The Howlin' Wolf entry is possibly the best of the batch, and one of the best introductions to this mercurial electric bluesman. Opening with the savage 'Killing Floor,' the album doesn't let up in intensity, and it happily focuses on Wolf's less-anthologized sides, which gives the album a freshness a lot of blues compilations lack".
The Doors' version also incorporates elements of psychedelic blues [10] and hard rock. [9] Drummer John Densmore described it as a song that is "deeply sexual and got everyone moving." [11] Unlike Howlin' Wolf's one-chord arrangement, the Doors utilize a different approach. [5] Critic Bill Janovitz described it as a "thumping rhythmic approach.
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