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Bernard Herrmann (born Maximillian Herman; June 29, 1911 – December 24, 1975) was an American composer and conductor [1] best known for his work in film scoring. As a conductor, he championed the music of lesser-known composers.
This category represents the film scores of American composer Bernard Herrmann (1911–1975). Pages in category "Films scored by Bernard Herrmann" The following 54 pages are in this category, out of 54 total.
"The Murder" is a cue in the cinematic score written and composed by Bernard Herrmann for the horror-thriller film Psycho (1960) directed by Alfred Hitchcock. The score, its second movement in particular, is well recognized as one of the most famous scores in film history. It's composed for an original orchestra's string section.
Wuthering Heights was never staged in Herrmann's lifetime, despite a number of attempts on his part. One of the few opportunities to mount a staged production during Herrmann's lifetime was one offered by Julius Rudel, but either because Rudel insisted on cuts and a different, up-beat ending, which the composer refused to permit, [5] or because of scheduling challenges [1] – sources differ ...
Symphony No. 1 is a four-movement orchestral composition by American composer Bernard Herrmann. The work was jointly commissioned in 1940 by CBS and the New York Philharmonic and was completed March 29, 1941, though Herrmann revised the work in 1973. It premiered July 27, 1941 at the CBS Radio Theater, with Herrmann conducting the CBS Symphony ...
Films scored by Bernard Herrmann (54 P) Pages in category "Compositions by Bernard Herrmann" The following 11 pages are in this category, out of 11 total.
Tyler Bates was brought in to compose the score for 2008 remake of The Day the Earth Stood Still after Derrickson heard his work on The Devil's Rejects and Slither.Bates decided that instead of imitating the original score by Bernard Herrmann he would try and convey the message of the new film, which was different, and assumed that most people would not even realize it was a remake.
Bernard Herrmann's score for Vertigo consists of 42 cues, which comprise about 74 minutes of music heard in the film. (The small bits of source music used in the film, such as the Mozart piece heard on Midge's phonograph or the music Scottie and Judy dance to late in the film, were not composed by Herrmann and are therefore not considered as part of the score.)