Search results
Results from the WOW.Com Content Network
Slow jams with quiet storm elements continued to be produced through the 2000s and 2010s. [4] Quiet storm songs are a mix of genres, including pop, contemporary R&B, smooth soul, smooth jazz and jazz fusion – songs having an easy-flowing and romantic character. The format first appeared in 1976 but initially it drew from songs recorded earlier.
Two later releases, "Sambuca 2006" and "Sambuca 2008" were released on the Garage Jams and All Around the World labels respectively, which featured more remixes of the track. Capital Xtra included the song in their list of "The Best Old-School Garage Anthems of All Time". [2]
KIPR/KFOG – Power 92 Jams – Urban contemporary; KHTE-FM - 96.5 The Box - Urban contemporary; KOKY – 102.1 KOKY – Urban adult contemporary; KPZK – Praise 102.5 – Urban contemporary gospel; KZTS - Rejoice 1380/105.5/103.3 - Urban Gospel; KWCP-LP - KWCP-LP 98.9 The Mix - Urban Adult Contemporary/Classic Hip Hop; KTUV - The Cat 99.9 FM ...
Hip-Hop Classics - Old school Hip-hop hits from artists that pioneered the genre of hip-hop. R&B Classics - A variety of funk, soul, and Motown hits from the 1950s to 1990s. R&B Soul † - Urban adult music and sultry, slow jams. Rap (TV-MA) † - Popular rap music upon its hit songs.
A slow jam is music with rhythm and blues and soul influences. Slow jams are commonly R&B ballads or downtempo songs, and are mostly soft-sounding with heavily emotional or romantic lyrical content. The earliest known use of the term is from a July 1, 1961, article in The Chicago Defender .
The following is a list of notable jam bands, or bands on the jam-band circuit. Jam band performances often feature extended musical improvisation (" jams ") over rhythmic grooves and chord patterns , and long sets of music that cross genre boundaries.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
For example, Robert Johnson and Tampa Red, who were the first to record the most blues standards on the list at four each, performed them as solo or duo acoustic performances. B.B. King and Muddy Waters, with the most standards on the charts at five each, [8] used electric blues-ensemble arrangements.