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A rangoli on the occasion of Diwali, Goa, India A rangoli made with flowers on the occasion of Onam Rangoli at Delhi, India Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered limestone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks.
Kolam (Tamil: கோலம், Malayalam: കോലം, Kannada: ರಂಗೋಲೆ), also known as Muggu (Telugu: ముగ్గు), Tarai Alangaram (Tamil: தரை அலங்காரம்) and Rangoli (Kannada: ರಂಗೋಲೆ) is a form of traditional decorative art that is drawn by using rice flour as per age-old conventions. It ...
Chowk-poorana mud wall art in Punjab is given shape by the peasant women of the state. In courtyards, this art is drawn using a piece cloth. The art includes drawing tree motifs, flowers, ferns, creepers, plants, peacocks, palanquins, geometric patterns along with vertical, horizontal and oblique lines. These arts add to the festive atmosphere. [5]
Floral Rangoli during Onam are a tradition. The floral Rangoli, known as Onapookkalam, Athapookkalam or just Pookkalam, [52] is made out of the gathered blossoms with several varieties of flowers of differing tints pinched up into little pieces to design and decorate patterns on the floor, particularly at entrances and temple premises like a ...
Rangoli: Making decorative floral and grain designs on the floor; Home and temple flower arranging; Personal grooming; Mosaic tiling; Bedroom arrangements; Creating music with water; Splashing and squirting with water; Secret mantras; Making flower garlands; Head adornments; Dressing Drapery- The art of drapery has progressed over time.
Detail of a panolong with a naga motif, from the National Museum of Anthropology. Okir, also spelled okil or ukkil, is the term for rectilinear and curvilinear plant-based designs and folk motifs that can be usually found among the Moro and Lumad people of the Southern Philippines, as well as parts of Sabah.
Then it is covered with white clay, which symbolises sperm. After the clay is set half-way, a comb is used to draw patterns resembling a rising Mother Goddess. The figure of a pregnant peacock is considered the most auspicious symbol for the marriage room, whereas animals, birds, lizards, and flowers are drawn to celebrate the auspicious ...
The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century. Geometric patterns occur in a variety of forms in Islamic art and architecture.