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Whitework embroidery is any embroidery technique in which the stitch and the foundation fabric (traditionally white linen) are of same color. Styles of whitework embroidery include most drawn thread work , broderie anglaise , Hardanger embroidery , Hedebo embroidery , Mountmellick embroidery , reticella and Schwalm.
It is sometimes called whitework embroidery. Hardanger embroidery gets its name from the district of Hardanger in western Norway, where it was known simply as hvitsøm (whitework). Traditionally, this geometric embroidery and cutwork technique was worked in white linen thread on handwoven white linen fabric and used only as trim on garments.
When worked on plainweave it is known as fine white. Organdy, sheer Dacron, lawn, batiste, muslin, net, and sheer muslin and wool are suitable plainweaves for this type of embroidery. [4] Stumpwork embroidery can be done on nearly any fabric including silk, satin, felt, linen, cotton, and wool. [5]
The parts of a thobe that would often be embroidered include the chest panel (qabbah,) which has patterns and colors that vary from region to region and identify the wearer easily. Other commonly embroidered areas of the thobe include the radah (shoulderpiece,) side skirt panels (benayiq,) the front of the skirt (hiijer,) and the lower back ...
Machine-sewn eyelet fabric Hand-sewn eyelet embroidery. Eyelet is both a type of cutwork embroidery and the fabric made from embroidering cutwork. Cutwork is used to create eyelet fabrics by cutting small holes and embroidering the edges of those holes to finish them. Common base fabrics include broadcloth, batiste, lawn, linen, organdy, and ...
Early fabrics made in the Colonies tended to be plain in both weave and in color. Fabric was made from white and black wool, and indigo dye was used. With the use of these materials, the fabric was gray, brown, or blue. Needlework was a way to enliven this fabric. and the earliest forms of needlework used were turkeywork and crewel embroidery.
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This enabled the use of cotton in clothing for everyone in the former holdings of the Tsugaru, and embroidering dyed indigo cloth with white cotton thread became more common. As the access to materials increased, competition to design the most beautiful patterns rose, with an estimate of over 300 different kogin-zashi patterns being created.
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