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During antiquity, the temple was home to the famous Greek prophetess the Pythia, or the Oracle of Delphi, making the Temple of Apollo and the sanctuary at Delphi a major Panhellenic religious site as early as the 8th century B.C.E., and a place of great importance at many different periods of ancient Greek history. [3]
The ancient theatre at Delphi was built farther up the hill from the Temple of Apollo giving spectators a view of the entire sanctuary and the valley below. [22] It was originally built in the fourth century BC, but was remodeled on several occasions, particularly in 160/159 B.C. at the expenses of king Eumenes II of Pergamon and, in 67 A.D ...
Delos: Temple of the Delians, dedicated to Apollo. Delphi: Sanctuary of Apollo, site of the Oracle of Delphi, dedicated to Apollo. Didyma: Temple of Apollo, Didyma, dedicated to Apollo. Dodona: Temple of Zeus, Dodona, dedicated to Zeus. Eleusis: Telesterion, the site of the Eleusinian Mysteries, dedicated to Demeter and Persephone. Epidaurus ...
A rectangular temenos, the remains of the temple at the site date back to as early as the fifth century B.C.E. Still present are a rectangular altar with volute acroteria, as well as a few other round marble altars. An "annual Spring procession which went from Miletus to the Temple of Apollo at Didyma began at the Delphinion". [1]
The Delphic maxims are a set of moral precepts that were inscribed on the Temple of Apollo in the ancient Greek precinct of Delphi. The three best known maxims – "Know thyself", "Nothing in excess", and "Give a pledge and trouble is at hand" – were prominently located at the entrance to the temple, and were traditionally said to have been ...
The scene is identified as the advent of Apollo to Delphi. The central acroterion of the temple depicted a victory (Nike) running with her knee lifted up in the air. The two side acroteria depicted Sphinxes. The western pediment sculptures depicted a Gigantomachy. Both pediments are attributed to the Athenian sculptor Antenor.
The Altar of the Chians was the main altar of the Temple of Apollo at Delphi. [1] It was built after the reconstruction of the Temple in the 330s, replacing an older altar dated to the time of the Alcmaeonids. The 4th century altar was dedicated by the people of Chios, as related on an inscription on the left side of its crowning.
Apollo. The chryselephantine statues of Apollo, Artemis and Leto occupy a hall in the Delphi Archaeological Museum looking rather like a treasury. They constitute excellent specimens of mid-6th century B.C. art, coming from workshops in Ionia, or, to a certain extent, Corinth.
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