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The accordion's basic form is believed to have been invented in Berlin, in 1822, by Christian Friedrich Ludwig Buschmann, [notes 2] [6] although one instrument was discovered in 2006 that appears to have been built earlier. [notes 3] [7] [8] The earliest history of the accordion in Russia is poorly documented.
See the list of traditional music styles that incorporate the accordion. Although rarely seen, some early swing band scores have the piano part marked "Piano/Piano Accordion." It is a traditional instrument in Brazilian music, specifically baião of the northeast. Luiz Gonzaga is called the king of baião. [citation needed]
[4] [2] Surviving early instruments show that at first they only played chords, and were to be played left-handed, unlike now. [1] The first accordions only had 5 buttons (10 chords), so they were mostly used for accompaniment. [4] Early minstrel troupes toured America as early as 1843, spreading the accordion sound. [2]
The Cajun accordion is generally defined as a single-row diatonic accordion, as compared to multiple-row instruments commonly used in Irish, Italian, polka, and other styles of music. The Cajun accordion has four reed ranks , i.e., four reeds for each melody button, and each reed bank is controlled by a corresponding stop or knob on the top of ...
Ernst was the first Schrammel accordion player, who also arranged music for the quartet and wrote a tutorial for his instrument. Within a very short time, this combination of two violins, accordion, and contraguitar was known as "Schrammelquartett"; their music, up to now in Vienna's chamber music tradition, being called Schrammelmusik.
Accordion, Chromatic button accordion, Bayan, Diatonic button accordion, Piano accordion, Stradella bass system, Free-bass system, Accordion reed ranks and switches The bayan (Russian: бая́н , IPA: [bɐˈjan] ) is a type of chromatic button accordion developed in the Russian Empire in the early 20th century and named after the 11th-century ...
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The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".