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The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
The gates of hell are various places on the surface of the world that have acquired a legendary reputation for being entrances to the underworld. Often they are found in regions of unusual geological activity, particularly volcanic areas, or sometimes at lakes, caves, or mountains.
The Three Shades (Les Trois Ombres) is a sculptural group produced in plaster by Auguste Rodin in 1886 for his The Gates of Hell. [1] [2] He made several individual studies for the Shades before finally deciding to put them together as three identical figures gathered around a central point. The heads hang low so that the neck and shoulders ...
Ancient Sumerian cylinder seal impression showing the god Dumuzid being tortured in the underworld by galla demons. The ancient Mesopotamian underworld (known in Sumerian as Kur, Irkalla, Kukku, Arali, or Kigal, and in Akkadian as Erṣetu), was the lowermost part of the ancient near eastern cosmos, roughly parallel to the region known as Tartarus from early Greek cosmology.
This figure represents the cumulative human forces, cast upon the eternal emptiness of Hell. [2] In The Gates of Hell, the sculpture appears in three different places: at the top of the left door, at the top of the right pilaster— the one holding Crouching Woman as part of I am beautiful [3] — and as the central piece of Avarice at the bottom of the Gates.
It was an initial study for the group of Polyphemus, Acis and Galatea at the centre of the right panel of The Gates of Hell. [1] Several bronze studies of Polyphemus' torso survive, but there is no known monumental version of the complete group. [2]
Éve au rocher in bronze, Jardin des Tuileries, Paris. In 1880 Rodin was commissioned to produce The Gates of Hell, for which he exhibited Adam at the 1881 Paris Salon.In a sketch for Gates Rodin showed a central silhouette possibly intended as Eve (both the sketch and Gates are now in the Musée Rodin), but in October 1881 he decided to produce Eve as a pair for Adam, with the two sculptures ...
The Darvaza gas crater (Turkmen: Garagum ýalkymy), [1] also known as the Door to Hell or Gates of Hell, officially, the Shining of Karakum, is a burning natural gas field collapsed into a cavern near Darvaza, Turkmenistan. [2] Hundreds of natural gas fires illuminate the floor and rim of the crater. The crater has been burning since the 1980s.
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